Fiction

• Aleksandar Hemon, “Smithereens,” The New Yorker.
• ——, “The Liar,” The Book of Other People, ed. Zadie Smith (Penguin, 2008).
• Amy Hempel, “Housewife,” Tumble Home (Scribner, 1997).
• Ana María Shua, “The Brazilians,” Flash.
• Ann Beattie, “Major Maybe,” The State We’re In (Scribner, 2015).
• Anne Carson, “An Evening with Joseph Conrad,” The New Yorker.
• ——, “Back the Way You Went,” The New Yorker.
• ——, “Flaubert Again,” The New Yorker.
• Anne Enright, “The Hotel,” The New Yorker.
• ——, “The Weight,” The New Yorker.
• Alice Munro, “What Is Remembered,” Hateship, Friendship, Courtship, Loveship, Marriage (McClelland & Stewart, 2001).
• Amos Oz, “Ban đêm,” Between Friends (Houghton Mifflin Harcourt, 2013).
• ——, “Chờ đợi,” The New Yorker.
• ——, “My Curls Have Blown All the Way to China,” The New Yorker.
• ——, “In a Faraway Place at Another Time,” Scenes from Village Life (Houghton Mifflin Harcourt, 2011).
• ——, “Hai người phụ nữ,” Between Friends.
• ——, “Quốc tế ngữ,” Between Friends.
• ——, “Vua Na Uy,” Between Friends.
• César Aira, “Picasso,” The Musical Brain and Other Stories (New Directions, 2015).
• ——, “Không nhân chứng,” The Musical Brain and Other Stories.
• ——, “Xe đẩy,” The Musical Brain and Other Stories.
• Chimamanda Ngozi Adichie, “How Did You Feel About It?” Harper’s Bazaar.
• Clarice Lispector, “Miss Algrave,” The Complete Stories (New Directions, 2015).
• Colm Tóibín, “A Journey,” Mothers and Sons (Picador, 2006).
• ——, “Sleep,” The New Yorker.
• ——, “Tales from the L.A. River,” The New York Times.
• ——, “The Journey to Galway,” All Over Ireland (Faber & Faber, 2015).
• Cristina Henríquez, “Everything Is Far from Here,” The New Yorker.
• Cynthia Ozick, “The Shawl,” The Shawl (Knopf, 1989).
• Deb Olin Unferth, “Husband,” Tin House.
• Doris Lessing, “A Room,” A Man and Two Women (Simon and Schuster, 1963).
• Dorthe Nors, “Sun Dogs,” The New Yorker.
• Edwidge Danticat, “Without Inspection,” The New Yorker.
• Ernest Hemingway, “A Clean, Well-Lighted Place,” Winner Take Nothing (Charles Scribner’s Sons, 1933).
• Etgar Keret, “Asthma Attack,” The Girl on the Fridge (Farrar, Straus & Giroux, 2008).
• ——, “Director’s Cut,” The New Yorker (July 9, 2020).
• ——, “Eating Olives at the End of the World,” The New York Review of Books (April 12, 2020).
• ——, “To the Moon and Back,” Fly Already (Riverhead, 2019).
• F. Scott Fitzgerald, “Thank You for the Light,” I’d Die for You and Other Lost Stories (Scribner, 2017).
• Fiona McFarlane, “Buttony,” The High Places (Farrar, Straus and Giroux, 2016).
• Franz Kafka, “Das Schweigen der Sirenen,” Beim Bau der Chinesischen Mauer (Verlag, 1931).
• George Saunders, “Sticks,” Tenth of December (Random House, 2013).
• Gunnhild Øyehaug, “Con hươu ở bìa rừng,” Knots (Farrar, Straus and Giroux, 2017).
• Hanif Kureishi, “She Said He Said,” What Happened? (Faber and Faber, 2019).
• Harold Pinter, “Girls,” Various Voices (Faber and Faber, 2009).
• ——, “The Mirror,” Various Voices.
• Haruki Murakami, “Concerning the Sound of a Train Whistle in the Night, or On the Efficiency of Fiction,” Short Stories in Japanese (Penguin, 2011).
• ——, “Chim lặn,” Blind Willow, Sleeping Woman (Knopf Doubleday, 2007).
• ——, “Chance Traveler,”Blind Willow, Sleeping Woman.
• ——, “Kino,” Những người đàn ông không có đàn bà (Bungeishunjū, 2014).
• ——, “On a Stone Pillow,” First Person Singular, trans. Philip Gabriel (Knopf, 2021).
• ——, “Scheherazade,” Những người đàn ông không có đàn bà.
• ——, “Sự sụp đổ của Đế chế La Mã, cuộc nổi dậy của người da đỏ năm 1881, cuộc xâm lược Ba Lan của Hitler, và thế giới của những ngọn gió dữ,” The Elephant Vanishes (Knopf, 1993).
• ——, “The Kingdom That Failed,” The New Yorker.
• Ian McEwan, “Düssel…,” The New York Review of Books.
• Isaac Babel, “You Must Know Everything,” You Must Know Everything (Farrar, Straus and Giroux, 1969).
• Isaac Bashevis Singer, “A Cage for Satan,” Old Love (Farrar, Straus and Giroux, 1979).
• ——, “A Day in Coney Island,” A Crown of Feathers and Other Stories (Farrar, Straus and Giroux, 1973).
• ——, “Escape from Civilization,” The New Yorker.
• ——, “The Murderer,” The Paris Review (No. 228, Spring 2019).
• ——, “Một người bạn của Kafka,” A Friend of Kafka and Other Stories (Farrar, Straus and Giroux, 1970).
• ——, “Nhà cabala của phố Đông Broadway,” A Crown of Feathers.
• ——, “Inventions,” The New Yorker.
• ——, “The Betrayer of Israel,” Old Love.
• ——, “The Boarder,” The New Yorker.
• ——, “Vanvild Kava,” The Collected Stories (Farrar, Straus and Giroux, 1982).
• Julio Cortázar, “Axolotl,” Final del juego (Los Presentes, 1956).
• Ivo Andrić, “Byron in Sintra,” The Slave Girl and Other Stories about Women (CEU Press, 2009).
• J. M. Coetzee, “The Dog,” The New Yorker.
• ——, “Lies,” The New York Review of Books.
• James Kelman, “Acid,” Not Not While The Giro (Polygon, 1983).
• James Thurber, “Cuộc đời bí mật của Walter Mitty,” The New Yorker.
• Javier Marías, “Cuộc đời và cái chết của Marcelino Iturriaga,” Mientras ellas duermen (Anagrama, 1990).
• ——, “Hành trình của Isaac,” Mientras ellas duermen.
• John Berger, ”Người đàn bà và người đàn ông đứng bên cây mận,” Photocopies (Bloomsbury, 1996).
• ——, “Người đàn bà với con chó trong lòng,” Photocopies.
• ——, “Một bó hoa trong cốc,” Photocopies.
• ——, “Một ngôi nhà trên dãy Sabine,” Photocopies.
• ——, “Một người bạn cất tiếng,” Photocopies.
• Jennifer Egan, “To Do,” The Guardian.
• Jonathan Safran Foer, “Love Is Blind and Deaf,” The New Yorker.
• Jorge Luis Borges, “Borges y yo,” El hacedor (Emecé Editores, 1960).
• ——, “El disco,” El libro de arena (Emecé Editores, 1975).
• ——, “El espejo y la máscara,” El libro de arena.
• ——, “El etnógrafo,” Elogio de la sombra (Emecé Editores, 1969).
• ——, “El hacedor,” El hacedor.
• ——, “El testigo,” El hacedor.
• ——, “Episodio del enemigo,” Nueva antología personal (Emecé Editores, 1968).
• ——, “Graves en Deyá,” Atlas (Editorial Sudamericana, 1984).
• ——, “La memoria de Shakespeare,” La memoria de Shakespeare (Alianza Editorial, 1983).
• ——, “Leyenda,” Elogio de la sombra.
• ——, “Los dos reyes y los dos laberintos,” El Aleph (Editorial Losada, 1952).
• ——, “Mutaciones,” El hacedor.
• ——, “Paradiso, XXXI, 108,” El hacedor.
• ——, “Pedro Salvadores,” Elogio de la sombra.
• ——, “Una rosa amarilla,” El hacedor.
• Josip Novakovich, “TWA Wine,” New Flash Fiction Review.
• Joyce Carol Oates, “Where Are You?” The New Yorker.
• Juan Carlos Onetti, “La mano,” Cuentos completos (Alfaguara, 1994).
• Juan Rulfo, “Es que somos muy pobres,” El Llano en llamas (Fondo de Cultura Económica, 1953).
• ——, “Macario,” El Llano en llamas.
• ——, “Nos han dado la tierra,” El Llano en llamas.
• Junot Díaz, “Alma,” This Is How You Lose Her (Riverhead, 2012).
• Kazuo Ishiguro, “A Village After Dark,” The New Yorker.
• Kevin Canty, “Story, With Bird,” The New Yorker.
• Kurt Vonnegut, “Harrison Bergeron,” Welcome to the Monkey House (Dell Publishing, 1968).
• ——, “Long Walk to Forever,” Welcome to the Monkey House.
• ——, “Souvenir,” Bagombo Snuff Box (G. P. Putnam’s Sons, 1999).
• László Krasznahorkai, “Chẳng cần gì ở nơi đây,” The World Goes On (New Directions, 2017).
• ——, “Chẳng ở trên con đường của Hêraclit,” The World Goes On.
• ——, “Cùng lắm, ở Turin,” The World Goes On.
• ——, “Đáng yêu sao,” The World Goes On.
• ——, “Đi-đứng,” The World Goes On.
• ——, “Muốn quên,” The World Goes On.
• ——, “Xuống dốc trên con đường rừng,” The World Goes On.
• ——, “Valzer lại đi,” The World Goes On.
• ——, “Về vận tốc,” The World Goes On.
• Honor Levy, “Good Boys,” The New Yorker.
• Libby Flores, “Legs,” Tin House.
• Lorrie Moore, “How to Become a Writer,” Self-Help (Knopf, 1985).
• ——, “Referential,” Bark (Knopf, 2014).
• Ludmilla Petrushevskaya, “Incident at Sokolniki,” There Once Lived a Woman Who Tried to Kill Her Neighbor’s Baby (Penguin Books, 2008).
• ——, “Poor Girl,” The New Yorker.
• Lydia Davis
• ——, “Everyone Cried,” The New Yorker (July 4, 2019).
• Margaret Atwood, “Chế thuốc độc,” Murder in the Dark (Coach House Books, 1983).
• ——, “Giết người trong bóng tối,” Murder in the Dark.
• ——, “Eating the Birds,” The Tent (Nan A. Talese/Doubleday, 2006).
• ——, “Faster,” The Tent.
• Martin Amis, “Denton’s Death,” Heavy Water and Other Stories (Jonathan Cape, 1998).
• Milan Kundera, “The Apologizer,” The New Yorker.
• Miranda July, ”The Moves,” No One Belongs Here More Than You (Scribner, 2007).
• Nadine Gordimer, “Loot,” Loot and Other Stories (Jonathan Cape, 2003).
• Noy Holland, “Tally,” I Was Trying to Describe What it Feels Like (Counterpoint, 2017).
• Nuruddin Farah, “The Start of the Affair,” The New Yorker.
• Osama Alomar, năm truyện cực ngắn trong Fullblood Arabian (New Directions, 2014).
• Peter Carey, “Happy Story,” Collected Stories (Faber and Faber, 1994).
• Primo Levi, “A Tranquil Star,” A Tranquil Star (Penguin, 2007).
• ——, “Man’s Friend,” The Complete Works of Primo Levi (Liveright, 2015).
• ——, “The Story of Avrom,” Lilít e altri racconti (Einaudi, 1981).
• Rachel Swirsky, ”If You Were a Dinosaur, My Love“ (Apex Magazine).
• Ramona Ausubel, “You Can Find Love Now,” The New Yorker.
• Rivka Galchen, “Have You Ever Met One?” The New Yorker.
• Robert Coover, “Going for a Beer,” The New Yorker.
• ——, “The Crabapple Tree,” The New Yorker.
• ——, “The Frog Prince,” The New Yorker.
• ——, “The Waitress,” The New Yorker.
• ——, “The Boss,” The New Yorker.
• Robert Walser, “Frau Wilke,” Selected Stories (Farrar, Straus and Giroux, 1982).
• ——, “Kleine Wanderung,” Kleine Dichtungen (Kurt Wolff Verlag, 1914).
• ——, “The Little Tree,” Selected Stories.
• Roberto Bolaño, “Clara,” The Return (New Directions, 2010).
• ——, “Một câu chuyện Nga khác,” Llamadas telefónicas (Editorial Anagrama, 1997).
• ——, “Một cuộc phiêu lưu văn chương,” Llamadas telefónicas.
• ——, “Những cuộc gọi,” Llamadas telefónicas.
• ——, “Tóc đỏ,” La Universidad Desconocida (Anagrama, 2007).
• ——, “William Burns,” Llamadas telefónicas.
• Saadat Hasan Manto, “Khol Do.”
• ——, “Toba Tek Singh,” Phundne (1955).
• Samanta Schweblin, “Giết một con chó,” El núcleo del disturbio (Destino Ediciones, 2002).
• ——, “Kích cỡ của các đồ vật,” The New Yorker.
• Sheila Heti, “Grayness,” The New Yorker (July 16, 2020).
• ——, “My Life Is a Joke,” The New Yorker.
• ——, “The Girl Who Planted Flowers,” The Middle Stories (McSweeney’s, 2012).
• Stephen King, “A Death,” The Bazaar of Bad Dreams (Scribner, 2015).
• ——, “Afterlife,” The Bazaar of Bad Dreams.
• Steven Millhauser, “The Invasion from Outer Space,” We Others (Knopf, 2011).
• Stuart Dybek, ” Flu,” Ecstatic Cahoots (Farrar, Straus and Giroux, 2014).
• ——, ”Ransom,” Ecstatic Cahoots.
• ——, “Strays,” The Coast of Chicago (Macmillan, 2004).
• Tania James, “The South Asian Speakers Series Presents the Archeologist and Adventurer Indiana Jones,” The New Yorker.
• Tatyana Tolstaya, ”Những thứ không cần thiết,” The New Yorker.
• ——, “Thịt đông,” The New Yorker.
• Ted Chiang, “The Great Silence,” Exhalation (Knopf, 2019).
• ——, “What’s Expected of Us,” Exhalation.
• Thomas McGuane, ”The Casserole,” Crow Fair (Knopf, 2015).
• Tim Parks, “Bedtimes,” Thomas and Mary: a Love Story (Vintage, 2016).
• ——, “Vespa,” The New Yorker.
• Tom Hanks, “Alan Bean Plus Four,” Uncommon Type (Knopf, 2017).
• W. S. Merwin, “A Garden,” The Miner’s Pale Children (Atheneum, 1970).
• ——, “A Fable of the Buyers,” Houses and Travellers (Atheneum, 1977).
• William Carlos Williams, “The Use of Force,” Life along the Passaic River (New Directions, 1938).
• William Trevor, ”The Piano Teacher’s Pupil,” The New Yorker.
• Yasunari Kawabata, “Vô ngôn,” Tuyết đầu trên đỉnh Phú Sĩ (1958).
• Yiyun Li, “Souvenir,” Gold Boy, Emerald Girl (Random House, 2010).
• ——, “When We Were Happy We Had Other Names,” The New Yorker.
• Zadie Smith, “The Lazy River,” The New Yorker.
• ZZ Packer, ”Gideon,” The Book of Other People.